Se sono qui ci sarà un motivo

Anna. 24. Italy. "I felt I was on fire with the things I could’ve told you. I just assumed you eventually would ask."
Who I Follow

Stars that burn the brightest
Fall so fast and pass you by
Spark like empty lighters.

(via obsessions-with-marina)

waaty:

original: 05妄想※Qネタ | りつ
uncut comic
translated by /a/non

image

image

image

image

infinitenap:

security guards

(via fredfrez)

fuckyeahchickmusicians:

Karen O of Yeah Yeah Yeahs

I don’t care about anyone, and the feeling is obviously mutual.
Sylvia Plath, The Bell Jar  (via ossa-cave)

(via kaworunagisas)


“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
this is why performance art is important

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

(via batchiara)

59 plays
Tori Amos,
Under The Pink

anthonyblanche:

Tori AmosPretty Good Year

They say you were something in those formative years
Hold on to nothing as fast as you can
Well, still, pretty good year  

354 plays
Icona Pop,
We Got the World - Single

iamdooneynotbourke:

We Got The World - Icona Pop “Icona Pop